The words appear in blood as the tattooing needles penetrate Coble’s skin. Blood Paintings are made of each word by immediately pressing watercolor paper against the fresh incisions. The mirror image of the word is imprinted on the paper in blood. As each Blood Painting is created, it is placed on the wall during the performance. The number of prints on the wall expands proportionately as the artist’s skin becomes increasingly infused with hateful epithets.
The elaborate script initially engages viewers in the optical challenge of identifying each tattooed insult. The recognition of each word stimulates viewers to reflect upon the significance of what the insult means to them. This dynamic process mediates a silent dialogue between the artist and her audience as the performance progresses.
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